Abstract
Mista‘arvim — Jewish-Israeli soldiers who masquerade as Arabs — and Hista‘arvut (the act thereof) hold a special place in Jewish-Israeli culture. By analyzing popular television programs — a thriller titled Fauda (Arabic for “chaos”) and documentaries by journalist Zvi Yehezkeli — we argue that “cultural Hista‘arvut” is a powerful reflection of Zionist perceptions of Palestinian and Arab Others. Cultural Hista‘arvut helps frame the paradox of a Jewish-Israeli society that is located inside the Middle East but maintains distance as a superior outsider that is not of the region. In this sense, the act of impersonation emphasizes the hierarchy of Jews over Arabs and cements the alleged dichotomies between them.
| Original language | American English |
|---|---|
| Pages (from-to) | 161-180 |
| Number of pages | 20 |
| Journal | The Middle East Journal |
| Volume | 77 |
| Issue number | 2 |
| DOIs | |
| State | Published - 1 Sep 2023 |
All Science Journal Classification (ASJC) codes
- Geography, Planning and Development
- Sociology and Political Science