Abstract
Historians and art historians have identified the central place held by the maternal figure in Holocaust and post-Holocaust art and commemoration. The Jewish mother is shown, alone or with her children, facing the brutal reality of poverty, hunger and war. Her figure serves as the ultimate symbol of victimhood, as well as the embodiment of feminine heroism and the paradigm of appropriate motherly behavior. However this symbol has not remained static. An introspective analysis of a wide corpus of women's art relating to the Holocaust reveals that alongside this canonical figure in Holocaust symbolization, there are other images - mostly contemporary - of the maternal figure that expand and even destroy this traditional image. This transformation is a result of changes in Holocaust consciousness and scholarship, developments in the lives of the survivors, the particular perspectives of the second and third generations, Holocaust memory and post-memory, and feminism.
| Original language | English |
|---|---|
| Pages (from-to) | 177-208 |
| Number of pages | 32 |
| Journal | Nashim |
| Volume | 33 |
| Issue number | 33 |
| DOIs | |
| State | Published - 1 Mar 2018 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
ASJC Scopus subject areas
- Gender Studies
- Cultural Studies
- General Arts and Humanities
RAMBI Publication
- rambi
- Art -- 20th century
- Art -- 21st century
- Holocaust, Jewish (1939-1945), in art
- Jewish women artists
- Jewish women in art
- Jewish women in the Holocaust
- Mothers in art
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