Abstract
This article gives an overview of Shang Yang portrayals in four stages: from Han Fei’s sympathetic yet balanced assessment, passing over a variety of conflicting Han views, skipping through "the two millennia of vilification" to Zhang Taiyan’s (1869-1936) rediscovery of Shang Yang, and ending up at the Shang Yang fervor of the 1970s. Zeng shows how the figure of Shang Yang keeps popping up with a certain regularity, inciting conflicts about his legacy. He also argues that at each flare of the debate, what was really at stake was not a mere assessment of the long gone Warring States-period Qin reformer, but of the then current policies that needed to be indirectly addressed.
| Original language | English |
|---|---|
| Pages (from-to) | 69-89 |
| Number of pages | 21 |
| Journal | Contemporary Chinese Thought |
| Volume | 47 |
| Issue number | 2 |
| DOIs | |
| State | Published - 2016 |
All Science Journal Classification (ASJC) codes
- Philosophy
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