Self-categorization, intersectionality and creative freedom in the cultural industries: Palestinian women filmmakers in Israel

Amal Jamal, Noa Lavie

Research output: Contribution to journalArticlepeer-review

Abstract

The cultural industries are major fields of producing, distributing and reflecting national icons and norms. They form major sites of contestation and conflictual self-categorization, especially in conflict zones. Our article explores the intersection between nationality and gender in cultural production in such contexts. It examines the engagement of Palestinian women filmmakers within the Israeli cultural industry, seeking to facilitate a better understanding of national minorities in the field of cultural production in conflict zones. Palestinian women filmmakers in Israel have introduced new themes that do not only address national issues that stand in tension between the Palestinian experience of oppression and the hegemony of the Zionist narrative in the Israeli cultural industries, but also challenge the prevalent patriarchal social values in Palestinian society. Exploring their experience allow us to better explicate the intersection of professional, gender and national factors in conditioning the cultural production of creative labour in conflict zones.

Original languageEnglish
Pages (from-to)1030-1050
Number of pages21
JournalEthnic and Racial Studies
Volume44
Issue number6
DOIs
StatePublished - 2021

Keywords

  • Cultural industries
  • Israel
  • Palestinian women filmmakers
  • intersectionality
  • national conflict
  • patriarchy
  • self-categorization

All Science Journal Classification (ASJC) codes

  • Cultural Studies
  • Anthropology
  • Sociology and Political Science

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