Rare pitch-classes are larger and stronger: implicit absolute pitch, exposure effects, and qualia of harmonic intervals

Zohar Eitan; Moshe Shay Ben-Haim; Eran Chajut

Rare pitch-classes are larger and stronger: implicit absolute pitch, exposure effects, and qualia of harmonic intervals

Zohar Eitan, Moshe Shay Ben-Haim, Eran Chajut

Braun School of Public Health and Community Medicine

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Original language	American English
Title of host publication	Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music
Editors	E. Cambouropoulos, K. Pastiadis, K. Tsougkras, M. Panayiotis
Place of Publication	Thessaloniki
Pages	275
Number of pages	1
Volume	275
State	Published - 1 Jan 2012

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https://www.researchgate.net/publication/344396315_Rare_pitch-classes_are_larger_and_stronger_implicit_absolute_pitch_exposure_effects_and_qualia_of_harmonic_intervalsLicense: Other

Cite this

Eitan, Z., Ben-Haim, M. S., & Chajut, E. (2012). Rare pitch-classes are larger and stronger: implicit absolute pitch, exposure effects, and qualia of harmonic intervals. In E. Cambouropoulos, K. Pastiadis, K. Tsougkras, & M. Panayiotis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (Vol. 275, pp. 275). https://www.researchgate.net/publication/344396315_Rare_pitch-classes_are_larger_and_stronger_implicit_absolute_pitch_exposure_effects_and_qualia_of_harmonic_intervals

Eitan, Zohar ; Ben-Haim, Moshe Shay ; Chajut, Eran. / Rare pitch-classes are larger and stronger: implicit absolute pitch, exposure effects, and qualia of harmonic intervals. Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. editor / E. Cambouropoulos ; K. Pastiadis ; K. Tsougkras ; M. Panayiotis. Vol. 275 Thessaloniki, 2012. pp. 275

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title = "Rare pitch-classes are larger and stronger: implicit absolute pitch, exposure effects, and qualia of harmonic intervals",

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Eitan, Z, Ben-Haim, MS & Chajut, E 2012, Rare pitch-classes are larger and stronger: implicit absolute pitch, exposure effects, and qualia of harmonic intervals. in E Cambouropoulos, K Pastiadis, K Tsougkras & M Panayiotis (eds), Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. vol. 275, Thessaloniki, pp. 275. <https://www.researchgate.net/publication/344396315_Rare_pitch-classes_are_larger_and_stronger_implicit_absolute_pitch_exposure_effects_and_qualia_of_harmonic_intervals>

Rare pitch-classes are larger and stronger: implicit absolute pitch, exposure effects, and qualia of harmonic intervals. / Eitan, Zohar; Ben-Haim, Moshe Shay ; Chajut, Eran.
Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. ed. / E. Cambouropoulos; K. Pastiadis; K. Tsougkras; M. Panayiotis. Vol. 275 Thessaloniki, 2012. p. 275.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

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M3 - Conference contribution

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BT - Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music

A2 - Cambouropoulos, E.

A2 - Pastiadis, K.

A2 - Tsougkras, K.

A2 - Panayiotis, M.

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Eitan Z, Ben-Haim MS , Chajut E. Rare pitch-classes are larger and stronger: implicit absolute pitch, exposure effects, and qualia of harmonic intervals. In Cambouropoulos E, Pastiadis K, Tsougkras K, Panayiotis M, editors, Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Vol. 275. Thessaloniki. 2012. p. 275