Abstract
In this sense, De Jonge's following essay, discussing the milieu of Mone and Ordoñez, is a good example of the thoughtful and clever ordering of the volume: focusing on the artistic network mechanism, De Jonge showcases the artistic exchange, specifically architectural, between Spain and the Netherlands in the early decades of the sixteenth century. [...]Abigail D. Newman's closing article poses an intriguing supposition that in the absence of guilds or art academies in Spain, Spanish art-writers not only contributed to the promotion of artists’ status but also to their sense of collegiality, collaboration, and community. Notwithstanding, Netherlandish Art and Luxury Goods is a magnificently produced, richly illustrated, and carefully edited volume that provides a wide scope of case studies and subjects, while succeeding in outlining some central concerns. [...]the book offers the reader a progressive, linear reading by thematic order and continuity between the different chapters.
Original language | English |
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Pages (from-to) | 256-258 |
Number of pages | 3 |
Journal | Renaissance Quarterly |
Volume | 74 |
Issue number | 1 |
DOIs | |
State | Published - Mar 2021 |
Keywords
- Anthologies
- Art
- Collaboration
- Reading
- Renaissance period
All Science Journal Classification (ASJC) codes
- History
- Visual Arts and Performing Arts
- Literature and Literary Theory