Abstract
Walter Zev Feldman’s present volume is the first full-length academic study since the 1960s to address the social history and musical structures of klezmer music in pre-Holocaust central and eastern Europe. Instrumental music played by professional musicians, klezmer comprises heterogeneous repertories that were the mainstay of the east-European Jewish wedding, yet were also performed for diverse non-Jewish audiences, across a long historical durée from the emergence of Jewish musical guilds in the sixteenth century until the decline of European klezmer music in the mid-twentieth century, and across a wide geographical region spanning from Moldova to east Germany.
| Original language | English |
|---|---|
| Pages (from-to) | 703-705 |
| Number of pages | 3 |
| Journal | Music and Letters |
| Volume | 98 |
| Issue number | 4 |
| DOIs | |
| State | Published - 1 Mar 2018 |