Abstract
The purpose of this essay is to examine one of Gershom Scholem’s most obscure undertakings, a proto-Dadaist and antiwar text that he published, together with a few friends, during the first year of World War One. As is shown, this project has drawn heavily from the work of one of the leading avant-garde poets, later among the founding members of the Dada movement in Zurich, Hugo Ball. Discussed side by side, the works of Gershom Scholem and Hugo Ball offer a unique view onto the anti-war sentiment and the need for experimental language in an attempt to express a disdain so profound and fundamental that words and sentences seem unable to capture.
| Original language | English |
|---|---|
| Pages (from-to) | 119-129 |
| Number of pages | 11 |
| Journal | Zutot |
| Volume | 18 |
| Issue number | 1 |
| DOIs | |
| State | Published - 2021 |
Keywords
- Avant-garde
- Gershom Scholem
- Hugo Ball
- Martin Buber
- World War One
- Youth-Movement –Zionism
All Science Journal Classification (ASJC) codes
- General Arts and Humanities
- Religious studies