Abstract
The J14 social protest movement in Israel (2011) began as a protest against the high cost of living, and most prominently, the inflated cost of housing. However, it quickly became the site of an emerging public discourse regarding the relationship between power and one's home, whether material dwelling or the universe of meanings associated with home, homeland, citizenship, nationality and ethnicity. This article explores the ways in which expressive culture-musical, visual and discursive-provided the engine for envisioning and contesting new imaginaries of home and contextualizing political action within the protest. A focus on Jaffa, a mixed Jewish-Palestinian city, highlights the ways in which expressive culture negotiated inherent tensions surrounding the meanings of 'home' that were brought into the open in Israel's marginalized peripheries.
| Original language | English |
|---|---|
| Pages (from-to) | 329-353 |
| Number of pages | 25 |
| Journal | Middle East Journal of Culture and Communication |
| Volume | 6 |
| Issue number | 3 |
| DOIs | |
| State | Published - 2013 |
| Externally published | Yes |
Keywords
- Palestine-Israel
- borderlands
- expressive culture
- home
- protest music
- social justice
- social movements
All Science Journal Classification (ASJC) codes
- Cultural Studies
- Communication
- Arts and Humanities (miscellaneous)
- Sociology and Political Science
- Political Science and International Relations