Abstract
This article examines the changing roles and perceptions of female soldiers in Israeli cinema, from the traditional stereotypes of the early years to the response of young Israeli women filmmakers in the 2000s to the gender inequality and violence that is an integral part of any military systems. After a survey of the traditional representations of women soldiers and the minor roles they played in early Israeli cinema, we discuss two films by Israeli women filmmakers—Vardit Bilu and Dalia Hager’s fiction film Close to Home (2005) and Tamar Yaron’s documentary To See if I’m Smiling (2007)—which depict the challenges faced by young women who join the IDF aspiring to equal military service. Both films explore the inherent gender bias they encounter and the inevitable moral decline of women soldiers as they are plunged into the violent reality of military occupation.
| Original language | English |
|---|---|
| Pages (from-to) | 1144-1158 |
| Number of pages | 15 |
| Journal | Feminist Media Studies |
| Volume | 19 |
| Issue number | 8 |
| DOIs | |
| State | Published - 17 Nov 2019 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 5 Gender Equality
-
SDG 16 Peace, Justice and Strong Institutions
Keywords
- Israeli Palestinian conflict
- Violence
- military
- occupation
- women soldiers
All Science Journal Classification (ASJC) codes
- Gender Studies
- Communication
- Visual Arts and Performing Arts
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver