From metaphor to substance: On jacob neusner's judaism's theological voice: The melody of the talmud

Dov Schwartz

doi:https://doi.org/10.1163/157007011x564878

From metaphor to substance: On jacob neusner's judaism's theological voice: The melody of the talmud

Dov Schwartz

Bar-Ilan University

Research output: Contribution to journal › Article › peer-review

Abstract

In this article the author comments on Jacob Neusner theology for Talmudic literature and music.‪ The author states that Neusner believed that the interaction between the God and humans and take place through melody and songs.‪ Also, Neusner describes the role of each element of musical performance including composer, rhythm and audience.‪ He comments that in Neusner views music is not a metaphor but in itself is a theology and musical thinking leads to revelational thoughts

Original language	English
Pages (from-to)	111-119
Number of pages	9
Journal	Review of Rabbinic Judaism
Volume	14
Issue number	1
DOIs	https://doi.org/10.1163/157007011x564878
State	Published - 2011

All Science Journal Classification (ASJC) codes

History
Religious studies

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https://doi.org/10.1163/157007011x564878

Cite this

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abstract = "In this article the author comments on Jacob Neusner theology for Talmudic literature and music.‪ The author states that Neusner believed that the interaction between the God and humans and take place through melody and songs.‪ Also, Neusner describes the role of each element of musical performance including composer, rhythm and audience.‪ He comments that in Neusner views music is not a metaphor but in itself is a theology and musical thinking leads to revelational thoughts",

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From metaphor to substance: On jacob neusner's judaism's theological voice: The melody of the talmud

Abstract

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