From Discrete Adaptations to Hard Copies: The Rise of Formats in European Television

Jérôme Bourdon

doi:https://doi.org/10.4324/9780203928653

From Discrete Adaptations to Hard Copies: The Rise of Formats in European Television

Jérôme Bourdon

Department of Communication studies

Tel Aviv University

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

To understand what is a format, this chapter suggests it is best to start with history, and to ask “When was the format?" When did the notion receive its modern meaning of standard, replicable, internationally marketable, and potentially successful formula? I will investigate this while focusing on specific actors, television professionals who started using the term and believing in the thing, and on a certain region, Western Europe.

Original language	English
Title of host publication	Global Television Formats
Subtitle of host publication	Understanding Television Across Borders
Pages	111-127
Number of pages	17
ISBN (Electronic)	9781135889517
DOIs	https://doi.org/10.4324/9780203928653 https://doi.org/10.4324/9780203928653-9
State	Published - 1 Jan 2013

All Science Journal Classification (ASJC) codes

General Arts and Humanities
General Social Sciences

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From Discrete Adaptations to Hard Copies: The Rise of Formats in European Television

Abstract

All Science Journal Classification (ASJC) codes

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