El camino de menor resistencia de Beckett: attention, distraction, drift

This essay utilizes Beckett’s fictional and critical explorations of attention, distraction and drift to reflect on the ways in which, stripped of the conventions of cultural production, walking, thinking and artistic endeavor might be reimagined outside the normative scripts of biopolitics. Centralized and teleological forms give way to rhizomatic instantiations of the same in a process pertaining to all three registers at once (walking, thinking and writing). The result is the formation of a gesture that though suggestive of resistance cannot be viewed as such, in so far as it eschews negation. The paper traces a movement from the dialectical oscillation of attention and distraction in Proust to Beckett’s fashioning of an alternative that finds expression not only in the abstractions of thought and language but also in embodied experience. This alternative will be termed “drift,” a label denoting neither principle nor concept, but a mode of being that anticipates our attempts to think the human in the sensory-digital present. Beckett’s experiments allow us to reconsider forms of knowledge, understanding and conditioning. No less significant is his lesson on how we might do so without becoming embroiled in the dialectics of resistance and compliance.