| Original language | English |
|---|---|
| Title of host publication | Visualising the Middle Ages |
| Editors | Renana Bartal, Hanna Vorholt |
| Publisher | Brill Academic Publishers |
| Pages | 74-93 |
| DOIs | |
| State | Published - 2015 |
Publication series
| Name | Visualising the Middle Ages |
|---|---|
| Volume | 11 |
All Science Journal Classification (ASJC) codes
- History
- Visual Arts and Performing Arts
- Arts and Humanities (miscellaneous)
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}
Visualising the Middle Ages. ed. / Renana Bartal; Hanna Vorholt. Brill Academic Publishers, 2015. p. 74-93 (Visualising the Middle Ages; Vol. 11).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
TY - CHAP
T1 - Earth from Jerusalem in the Pisan Camposanto
AU - Bodner, Neta B.
N1 - Funding Information: I would like to thank Lola Kantor-Kazovsky, Linda Safran, and Renana Bartal for their comments on earlier versions of the text, and Lucy Donkin and Michelle Bacci for sharing preprint drafts of their work on the Camposanto Teutonico in Rome and on the materiality of Jerusalem evocations, respectively. The research leading to these results has received funding from the European Research Council under the European Union’s Seventh Framework Programme (FP/2007–2013) / ERC Grant Agreement no. 249466. For the documents regarding the decision in 1270 to build the Camposanto and the first stages of the project under Federigo Visconti, see Clemente Lupi, ‘Sulle origini del Camposanto di Pisa’, Notizie d’Arte, 2 (1910), pp. 10–20. Dimensions of the Camposanto: length 129.565 m exterior, 126.646 interior; width 44.356 m exterior, 42.021 m interior; height 14.007 m. Kathryn Barbara Dodge, Tradition, Innovation, and Technique in Trecento Mural Painting: The Frescoes and Sinopie Attributed to Francesco Traini in the Camposanto in Pisa (Ann Arbor, MI: University Microfilms International, 1978), p. 55; and Janet Ross and Nelly Erichsen, The Story of Pisa (London: Dent, 1909), p. 202. For example, Emilio Tolaini, ‘Camposanto di Pisa: Progetto e cantiere’, in Storia ed arte nella Piazza del Duomo: Conferenze 1992–1993, ed. by Emilio Tolaini (Pisa: Vigo Cursi, 1995), pp. 309–25. Long chapters are dedicated to the Camposanto in such works as Paul Schubring, Pisa (Leipzig: Seemann, 1902), pp. 68–123, and Ross and Erichsen, Story of Pisa, pp. 197–240. In both of these studies the majority of the chapter is dedicated to the fresco cycles. An extensive edited volume dedicated entirely to the Camposanto was published in 1996: Il Camposanto di Pisa, ed. by Clara Baracchini and Enrico Castelnuovo (Turin: Einaudi, 1996). There are numerous discussions of the Camposanto’s frescoes. For the iconography of the Traini fresco cycles and questions of attribution of the earliest frescoes, see Dodge, Tradi-
PY - 2015
Y1 - 2015
UR - http://www.scopus.com/inward/record.url?scp=85144778012&partnerID=8YFLogxK
U2 - 10.1163/9789004298187_006
DO - 10.1163/9789004298187_006
M3 - فصل
T3 - Visualising the Middle Ages
SP - 74
EP - 93
BT - Visualising the Middle Ages
A2 - Bartal, Renana
A2 - Vorholt, Hanna
PB - Brill Academic Publishers
ER -