TY - JOUR
T1 - Digital Digging:
T2 - traces, gazes, and the archival in-between
AU - Kreutzer, Evelyn
AU - Stiassny, Noga
PY - 2022
Y1 - 2022
N2 - Traces and gazes have become leading paradigms in dealing with the (visual) history of the Holocaust within academia. This multi-modal project, composed of the following paper and the video essay “The Archival In-Between”, reflects on the connection between traces and gazes, proposing to think of them as a gaze-trace ‘entity’, which resides in an in-between state. Connecting, juxtaposing, manipulating, and fragmenting various textual and filmic traces from the audiovisual heritage of the Holocaust, the project explores this gaze-trace entity in a self-reflexive manner. It performs a theoretical, empirical, ethical, and poetic investigation into the “in-betweenness” potential of the archive footage by digital means. In so doing, the project aims at exploring and demonstrating the inherent potential of videographic methods to study audiovisual memory.
AB - Traces and gazes have become leading paradigms in dealing with the (visual) history of the Holocaust within academia. This multi-modal project, composed of the following paper and the video essay “The Archival In-Between”, reflects on the connection between traces and gazes, proposing to think of them as a gaze-trace ‘entity’, which resides in an in-between state. Connecting, juxtaposing, manipulating, and fragmenting various textual and filmic traces from the audiovisual heritage of the Holocaust, the project explores this gaze-trace entity in a self-reflexive manner. It performs a theoretical, empirical, ethical, and poetic investigation into the “in-betweenness” potential of the archive footage by digital means. In so doing, the project aims at exploring and demonstrating the inherent potential of videographic methods to study audiovisual memory.
U2 - 10.25969/mediarep/18100
DO - 10.25969/mediarep/18100
M3 - مقالة
VL - 4
SP - 1
EP - 13
JO - Research in Film and History
JF - Research in Film and History
ER -