Abstract
The focus of this article is a vast seventeenth-century panorama of Constantinople, which is an exceptional drawing of the city, currently displayed at the Tel Aviv Museum of Art. The panorama is an elaborate piece of anti-Ottoman propaganda designed by the Franciscan friar Niccoló Guidalotto da Mondavio. Guidalotto also prepared a large manuscript, held in the Vatican Library, which details the panorama's meaning and the motivation behind its creation. It depicts the city as seen from across the Golden Horn in Galata, throwing new light on both the city and the relationships between the rival Venetian Republic and the Ottoman Empire. It also trumpets the unalloyed Christian zeal of Niccoló Guidalotto and serves as a fascinating example of visual Crusade propaganda against the Ottomans in the early modern period.
Original language | American English |
---|---|
Pages (from-to) | 503-543 |
Number of pages | 41 |
Journal | Renaissance Quarterly |
Volume | 67 |
Issue number | 2 |
DOIs | |
State | Published - 1 Jan 2014 |
All Science Journal Classification (ASJC) codes
- History
- Visual Arts and Performing Arts
- Literature and Literary Theory