Children Possessed: Adam Maor and Yonatan Levy's Opera The Sleeping Thousand (2019)

Adam Maor and Yonatan Levy's chamber opera The Sleeping Thousand refashions the Palestinian-Israeli conflict as a futuristic science-fiction political fantasy. Adopting a critical and satirical perspective, the opera develops ad absurdum an imaginative state of affairs out of which a utopian and dystopian situation unfolds. My argument is that in The Sleeping Thousand, children are central and, furthermore, that the image construed for them is new to the medium of opera. The image is disconcerting. The child is positioned in a troubled, brutal world and catalyses the portrayal of a violent, cursed, unethical, and estranged world inhabited by adults. Children are not assigned a voice but rather are reported on; in the report, they are said to be possessed by a dybbuk. In The Sleeping Thousand, a dybbuk phenomenon forms operatic children and, through them, infiltrates the opera as a whole.