Abstract
This study explores the relationship between art and urban boundaries using the case study of a fringe theatre festival in the Israeli mixed-city of Acre. While mixed cities today are understood as agglomerations of enclaves, maintained and reinforced by boundaries, urban designers and artists have used art as a culture-led regeneration strategy through which these boundaries may be breached. This study undermines the shared assumption of both fields: that art has the power to breach boundaries, by juxtaposing a city’s artistic activity with its segregation patterns and boundaries. Using super-positioning, the findings of two research methods have been integrated: urban research and ethnographic field work. The article shows that although the artistic activity in question is rooted in an avant-garde radical desire to subvert socioeconomic structures, it actually produces new versions and interpretations of the same segregations and boundaries in both space and society.
| Original language | American English |
|---|---|
| Pages (from-to) | 617-639 |
| Number of pages | 23 |
| Journal | Journal of Urban Design |
| Volume | 24 |
| Issue number | 4 |
| DOIs | |
| State | Published - 4 Jul 2019 |
All Science Journal Classification (ASJC) codes
- Geography, Planning and Development
- Arts and Humanities (miscellaneous)
- Urban Studies