Abstract
This essay argues that the nostos narrative of the ›The Truce‹ should be read as both Levi’s ac-count of his homecoming as a parallel journey into the realm of art, and as Levi’s recognition that the artistic representation of the Holocaust is not only practicable, viable, but also an ethical duty.
Original language | English |
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Pages (from-to) | 157-170 |
Number of pages | 14 |
Journal | Sprachkunst: Beiträge zur Literaturwissenschaft |
Volume | 46 |
Issue number | 2 |
DOIs | |
State | Published - 2015 |
Keywords
- Levi, Primo (1919-1987)